Your voice takes shape.
You hum. For five seconds, your microphone captures the dominant frequency in your voice.
That single frequency seeds everything — the geometry, the colour, the density of the field. Some palettes appear more often than others.
The whole experience takes about three minutes.
Georges Seurat placed 3.5 million dots to paint La Grande Jatte. It took two years.
Vox et Forma places 10 billion across 7,777 captures — every dot placed by mathematics, seeded by your voice.
Two artefacts, two surfaces.
The capture arrives by email — a digital piece, yours to keep.
The print arrives by post — 70×70cm on Hahnemühle German Etching, 310gsm. Museum-grade archival paper. Edition-numbered.
Every geometry fits somewhere.
A wall the eye returns to. A corner where light collects. These are not accidents of architecture. They are positions.
